Audio Interfaces

RME MADIface XT II Review: Breaking Down Its Cutting-Edge Technology

Front view of the RME MADIface XT II audio interface highlighting its control knobs and display
User-friendly RME MADIface XT II interface with intuitive controls

RME, a brand renowned for its high-quality audio solutions, has introduced the MADIface XT II, the world’s first USB 3.0 audio interface with 394 channels of audio. Launched as an upgrade to the original MADIface XT, this interface is designed for professionals seeking unparalleled audio quality and versatility in mobile and studio settings.

The MADIface XT II features a robust, rack-mountable design crafted from durable metal, ensuring longevity and reliability. Its portable form factor, combined with an intuitive front panel layout and high-resolution display, makes it a practical choice for on-the-go professionals.

RME has equipped the MADIface XT II with top-tier AD/DA converters, delivering pristine audio at up to 192 kHz sample rate. The interface ensures ultra-low latency and exceptional clarity, making it ideal for both live and studio applications.

The MADIface XT II does not include built-in preamps, which reflects its focus on high-channel count digital I/O rather than traditional analog inputs. This makes it a perfect match for users who rely on external high-end preamps or mixing consoles.

The MADIface XT II is compatible with both Windows and macOS, offering seamless integration with all major DAWs. Its USB 3.0 connectivity ensures high-speed data transfer, supporting extensive multichannel recording and playback without compromising performance.

RME’s proprietary drivers and USB 3.0 technology enable the MADIface XT II to achieve extremely low latency, crucial for real-time monitoring and recording. This makes it an excellent choice for live sound engineers and studio professionals who demand instant responsiveness.

The MADIface XT II comes bundled with RME’s TotalMix FX software, providing comprehensive routing, mixing, and effects processing capabilities. This software, along with DIGICheck, offers extensive monitoring and analysis tools, enhancing the interface’s versatility.

Despite its powerful features, the MADIface XT II is remarkably portable, fitting easily into a mobile recording setup. Its compact, rack-mountable design ensures it can be transported and used in various environments, from studios to live venues.

Key features include RME’s SteadyClock FS technology, ensuring ultra-stable clocking and jitter reduction. The interface also supports MADI (Multichannel Audio Digital Interface) for high-channel count audio transmission over long distances, making it ideal for large-scale live events or complex studio setups.

Rear view of the RME MADIface XT II audio interface showing various connection ports
Back panel of the RME MADIface XT II audio interface with detailed connectivity options

3 x MADI I/O (2 x Optical, 1 x Coaxial) for up to 394 audio channels

2 x Analog XLR/TRS combo inputs

2 x Analog XLR outputs

AES/EBU I/O

USB 3.0 connectivity for high-speed data transfer

These extensive I/O options make the MADIface XT II a powerhouse for any professional audio environment.

Priced at a premium, the MADIface XT II is a significant investment but offers exceptional value for professionals who require high-channel count, superior audio quality, and reliable performance. Its advanced features and robust build make it worth every penny for those in need of a cutting-edge audio interface.

  • Unmatched channel count with 394 audio channels
  • Exceptional audio quality with ultra-low latency
  • Robust build and portable design
  • Comprehensive software bundle included
  • Ideal for both live and studio applications
  • Lack of built-in preamps
  • Premium price point

The RME MADIface XT II is a groundbreaking audio interface that pushes the boundaries of what’s possible in mobile and studio recording. With its unmatched channel count, superior audio quality, and advanced features, it stands as a top choice for professionals who demand the best in their audio production setups.